The W.O.W. Project Fall Public Program Series

We launched Cartographies of the Present: Charting Our Freedom Dreams in Fall 2023, a series of public programs aimed at unsettling the relationships between art/culture, social movements, and carceral expansion.

A cartoon of a human wearing a wish costume with wings and outstretched arms.
Group of seven women smiling and posing in front of a colorful banner that reads, 'In the future our Asian femme, queer trans community' and a swan artwork on the wall.
A diverse group of people gathered in a park for an outdoor event or protest, with trees, benches, and city buildings in the background.
Three smiling women standing outdoors near a tree with city buildings in the background.
program lineup

The Jail, the Police, and the People’s Chinatown: A Zine Launch Party

Thursday, October 19th 6-8PM
At The Storefront for Ideas, 127 Walker Street, New York NY 10013

We launched two zines, “Envisioning Abolition in Our Local Asian American Communities” by Chinatown Art Brigade (CAB), and “The Jail, the Police, and the People’s Chinatown” by Serena Yang that explored the connections between the proposed jail in Chinatown, the police and other forms of state control, and people’s struggles for self-determination in Chinatown.
Thank you to The Laundromat Project for funding the printing of “The Jail, the Police, and the People’s Chinatown.”

About Chinatown Art Brigade

Chinatown Art Brigade (CAB) is an intergenerational collective driven by the fundamental belief that our cultural, material, and aesthetic modes of production have the power to advance social change. CAB is comprised of Asian American and Asian diasporic identifying visual artists, media makers, writers, educators, and organizers with deep roots in Manhattan's Chinatown. Together we made work that centered art and culture as a way to support community-led campaigns around issues of gentrification and displacement.

About The Storefront for Ideas ‍

Immigrant Social Services (ISS) is a community-based non-profit organization dedicated to improving the conditions of underserved immigrants and children of immigrants in NYC Manhattan’s Lower East side and Chinatown. Through programs and services, we nurtured and empowered immigrant children/youth (ages 4-17), young adults (ages 18-26), seniors, and families to develop and restore their agency to strengthen the wellbeing of our community.

Three young women with backpacks standing outdoors in autumn, holding fallen leaves, smiling at the camera.

Unmaking Dystopia: Abolition at the End of the World

Session A: Saturday, November 11th 4-6PM / Session B: Wednesday, November 15th, 6-8PM
At The Wing On Wo & Co Storefront, 26 Mott Street, New York NY 10013

The second program of our fall series, “Cartographies of the Present: Charting Our Freedom Dreams,” was an opportunity to study the trajectory of prisons and punishment in the United States and New York City. Why was Rikers Island built? Why do reformers want to close it? By tracing different stories of “the jail” from the 18th c. to the present day, including moments of resistance and rupture, we wanted to better understand how the fight against the Chinatown “megajail” is locally and historically situated as well as profoundly connected to other struggles—across the world, time, and space—for life, justice, and self-determination.

A woman with dark hair, wearing a gray sweater and a patterned scarf, is speaking into a microphone while holding a yellow booklet titled 'The People's Chinatown.' She stands in front of wood-paneled walls with a red and yellow poster behind her.

Making Possibility: Art, Craft, Culture as Worldmaking

Saturday, December 2nd 2-4PM
At Thomas Paine Park

The W.O.W. Project and story holder and memory worker, Kale Mays @basicbrassica held our final program of our fall series Cartographies of the Present: Charting Our Freedom Dreams. Making Possibility: Art, Craft, Culture as Worldmaking offered an opportunity to hold collective grief within the interlaced layers of ecocide and genocide that have led to the repeated construction, demolition, and resurrection of The Tombs on the sacred shore of long-buried fresh waters. Together, we worked to propagate community memory and vision shared possibilities through ritual offerings to the paved landscapes and buried waters that we now refer to as Lower Manhattan.

Group of women in masks gathered around a table with a heat press and stickers, working on a craft project.